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Eric Van Straaten "Reviving Lolita"

Added by Benjamin Krause

Event Details

  • Time:
    February 28, 2013 2:00:00 PM EST to March 24, 2013 2:00:00 PM EDT
  • Location:
    Krause Gallery
  • Street:
    149 Orchard st
  • City/Town:
    New York, NY 10002
  • Website or Map:
  • Phone:
  • Latest Activity:
    February 4, 2013

Event Description

New York, NY, January, 2013 – KRAUSE GALLERY is proud to present digital sculptor Eric Van Straaten's first exhibition at Krause Gallery in New York. Van Straaten from Holland is one of the most technical and talented 3-D sculptors in the world.

According to trend watchers, 3D-printing is the next big thing: in the near future, every household will own a printer that is capable of printing digital three-dimensional objects into a physical object. In the process that is best known under the name ‘Additive Manufacturing’, a 3D-printer builds up a model layer by layer by selectively hardening liquid or powder.

If this powder is a plaster-like material, a model can be directly printed in full color. The 3Dprinting of delicate and colored models is far from being just pushing a button, but requires great technical skills. Therefore only a few specialize in this technique and there is no artist who pushes the boundaries colorized 3D-prints as far as Eric van Straaten.
There is no technique that is capable of achieving such a great degree of hyper(sur)realism as 3D-modeling. At the same time, 3D printing is the only technique with which virtual models can be made actually physically touchable. Physical expressiveness in form and content is the biggest strength of the work of Eric van Straaten: while the sculptures remain to have a certain digital feel to them, the pieces contain a weirdly eroticized corporeality. Balancing on the edge of kitsch, the marzipan-like quality of the material resonates beautifully with the apparent innocence of the scenery.

For Van Straaten, the focus on girls on the threshold of adulthood reflect both our own obsession and that of contemporary western civilization with (frozen) youth. What this focus means for the development of young girls toward womanhood, is painfully described by Mary Pipher in her book, Reviving Ophelia; Saving the Selves of Adolescent Girls. By using different accessories, companions and scenery, I try to transform the Ophelia-figures into Nemeses (not in the sense of archenemies but in the sense of the Greek goddess Nemesis, the spirit of divine retribution against those who succumb to hubris: arrogance before the gods). I believe that Vladimir Nabokov, when he coined the name in his controversial novel, meant his Lolita-figure to be a similar figure: a creature that turns on its maker.


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